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作者:佚名 来源于:艺术起点
江上越作品《擦肩而过的诱惑》168cm116cm 油画 EGAMI Etsu’s work “Temptation of brushing past” 168cm 116cm Oil Painting 当代艺术基金会创始人前泽友作与艺术家江上越在她的作品前 Maezawa Yusaku founder of Contemporary Art Foundation and Egami Etsu in front of Egami’s work。
CAF奖
日本当代艺界挖掘新一代艺术家,一年一度举办的CAF奖入围展顺利开幕。CAF奖来源于Contemporary Art Foundation Foundation Award 即是公益财团法人当代艺术振兴财团。这个是由日本著名藏家前泽友作为理事的当代艺术基金会。前泽友作是日本服装电子商ZOZOTOWN的创始人,他喜爱艺术2012年创立了公益财团法人当代艺术振兴财团,2017年他用123亿日元收藏了一幅巴斯奎特的作品轰动了国际艺术市场。
CAF奖2020的评委是日本艺术家名和晃平,滋賀近代美术馆馆长保坂健二朗,美术手帖总主编岩渕貞哉、独立策展人金澤韻。
CAF AWARD
The annual CAF AWARD 2020 exhibition successfully opened。 CAF AWARD comes from the Contemporary Art Foundation Award, which is the corporate by Contemporary Art Foundation in Japan。 This is the contemporary art foundation, which is headed by the famous Japanese collector billionaire Yusaku Maezawa。 Yusaku Maezawa is the founder of zozotown, a Japanese fashion internet business。 He loves art。 In 2012, he founded the contemporary art foundation。
In 2017, he collected a work of Basquet with 12.3 billion JPY, which made a sensation in the international art market。
The judges of CAF AWARD 2020 are Japanese artist Kohei Nawa, director of Shiga Museum of modern art, Hosaka Kenjiro, chief editor of art Bitecho, Iwabuchi Tadamasa, and independent curator Kanazawa Kodama。
疫情之下,历届人数最多
疫情之下本次展览采用了预约制入场,没有想到的是本次展览预约人过多,平台瘫痪,增加了多数的票数。根据工作人员,本次的CAF奖是历届中来场人数最多的一次。在疫情之下引人注目,可看出在日本当代艺术界的影响力。
展览中来到的嘉宾有公益财团法人当代艺术振兴财团理事长前泽友作,森美术馆名誉馆长南条史郎,Atalie企业家社长平山女士,大林建设会长收藏家大林刚郎,SMILES集团创始人收藏家远山正道,投资家收藏家川崎祐一,OKETACOLLECTION桶田收藏家族,收藏家白木聪,鸟屋书店TSUTAYA集团副社长山下和树,SCAI THE BATHHOUSE画廊创始人白石正美,白博堂,收藏家岩崎女士,Hillside Forum经理福田晓,环球唱片公司森淳一,EMS唱片公司董事手塚浩之,收藏家鬼头宏昌,福布斯日本主编,等多数媒体,出版社,藏家等日本艺术圈内人物。
疫情之下并没有减速来场人数,反而是历届最多的。在最后一天展厅人山人海。
Under the pandemic situation, most of people came
Under the pandemic situation, the exhibition adopted the reservation system。 What all people didn‘t expect was that there were too many booking people, the platform was paralyzed, and the majority of votes were increased。 According to the staff, this CAF AWARD 2020 is the most of people came in the past。 Under the epidemic situation, it is noticeable, which shows its influence in Japanese contemporary art scene。
Among the guests in the exhibition are Yusaku Maezawa, founder of the contemporary art foundation, honorary director of Mori Museum of art Nanjo Fumio, Ms.Hirayama, founder of atalie, President of Obayashi construction, top collector Obayashi Takeo, founder of smile group, collector Toyama Masamichi, investor, collector Kawasaki Youyichi, OKETACOLLCTION family, collector Shiraki Satoshi, and Vice president of TSUTAYA Group Yamashita Kazuki, Founder of SCAI THE BATHHOUSE Gallery, Shiraishi Masami, collector Ms。 Iwasaki, Hakuhodo collector , Manager of hillside Forum Fukuta Akira, Director of Forbes JAPAN, Junichiro mori, director of universal music record japan, director of EMS record company Tezuka Hiroyuki, Collector Kito Hiromasa, collector, editor in chief of Forbes Japan, etc。
Under the epidemic situation, the number of people coming to the exhibition did not slow down, and we can see contemporary art market in Japan are heated up now。 It was the largest in all previous years。 On the last day, the exhibition hall was packed with people。
后绘画新一代画家:江上越
本次参展艺术家江上越被称为是代表“后绘画”的新一代画家。如蓬皮杜艺术中心策展人和千叶成夫在日本千叶市美术馆的国际论坛中谈到“江上越的作品是融合了绘画的两条脉络:‘精华化同时抽象化’一方面取出事件的精华,另一方面造型性援用一种抽象化的方法,把这两件事在同一个时间,在一个新的地平线上将它们进行绘画化”。
作为一位年轻的艺术家,江上越出生于日本,在德国HFG大学,中国中央美术学院留学,她海外丰富的经历通过误听,误视等个人体验探索交流的本质。提供了更个人更人性,同时更国际的视点,作为第三代日本当代艺术家深受关注。
1994年生于日本,目前生活工作于东京。2020年作为最年少艺术家获得福布斯30岁以下精英榜,同年选为日本文化厅杰出艺术家派遣纽约。她正于中国北京中央美术学院攻读博士学位。江上越先后获得多个奖项,包括日本文化厅杰出艺术家(2020)及第十六届千叶市艺术文化新人奖(2018)。她亦入围东京当代艺术基金会奖(2020)及亚洲独立艺术奖(Sovereign Asian Art Prize,2019)。2020年她被推荐参展日本艺术界的登龙门VOCA奖2020,在上野美术馆展出。VOCA奖以往1994年被推荐的艺术家村上隆、1997年的奈良美智、等等这些艺术家不但都成为了后来日本艺术界的领军人物,同时也蜚声国际。
于多个城市举办展览,如英国、德国,香港、北京、台北及东京,被多数美术馆收藏。
江上越作品《擦肩而过的诱惑》168cm116cm 油画 EGAMI Etsu’s work “Temptation of brushing past” 168cm 116cm Oil Painting 江上越作品《擦肩而过的诱惑》EGAMI Etsu’s work “Temptation of brushing past” A new generation of post painting : EGAMI ETSUArtist EGAMI ETSU , a new generation painter who represents of “Post- painting” in Japan is also the finalist of this exhibition。 For example, Pompidou Art Center curator and Chiba Shigeo said in the international forum of Chiba Art Museum in Japan, “EGAMI Etsu‘s works are the two threads of painting:” abstraction and abstraction “, on the one hand, extract the essence of story; and on the other hand, modeling is an abstraction。 She paints at the same time on a new horizon。
As a young artist, Egami Etsu was born in Japan and studied in HFG University of Germany and Central Academy of fine arts in China。 She has rich overseas experience and explores the essence of communication through personal experience such as false listening and false seeing。 As the third generation of Japanese contemporary artists, they are deeply concerned。
She was born in Japan in 1994 and now works in Tokyo and Beijing。 In 2020, as the youngest artist, she won the Forbes China 30 under 30 as the youngest artist。 And in the same year, she was selected as the outstanding artist by Agency of cultural department Japan Government to send to New York。 She is studying for her doctorate at the Central Academy of Fine Arts in Beijing, China。
Egami Etsu has won many awards, including the outstanding artist of Japan cultural agency (2020) and the 16th Chiba art and culture Newcomer Award (2018)。 She is also shortlisted for the Tokyo Contemporary Art Foundation Award (2020) and the Sovereign Asian Art Prize (2019)。
In 2020, she was recommended to participate in Japan‘s art world’s important VOCA 2020 award, which showed her work in Ueno-Royal Museum。 The artists recommended for the VOCA award, such as Takashi Murakami in 1994, Nara Yoshitomo in 1997, and so on, have not only become the leading figures in Japanese art scene, but also become well-known internationally。
Her exhibitions are held in international cities, such as London, Germany, Hong Kong, Beijing, Taipei and Tokyo, and collected by art museums。
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